Details: Flame maple / painted Yin Yang top, alder body, ebony fingerboard, 1 pc hard rock maple neck, bolt on, 34", 19mm spacing, 24 large frets, Pearloid Yin Yang inlays, EMG P/J, Fodera/Pope Upgraded 4 band, Standard layout.

Details: Figured myrtle top, alder body, Indian rosewood fingerboard, 1 pc hard rock maple neck, bolt on, 34", 19mm spacing, 24 large frets, EMG P/J, Fodera/Pope Standard 3 band - upgradeable to 4 band, Standard layout.

Details: Port orford cedar top, 1 piece ash body, maple fingerboard, 1 pc hard rock maple neck, bolt on, 34", 19mm spacing, 24 large frets, Fodera dual coils, Fodera/Pope custom shop 3 band - upgradeable to 4 band, Emperor standard layout.

Details: Flame maple / painted Yin Yang top, alder body, ebony fingerboard, 1 pc hard rock maple neck, bolt on, 34", 19mm spacing, 24 large frets, Pearloid Yin Yang inlays, EMG P/J, Fodera/Pope Standard 3 band - upgradeable to 4 band, Standard layout.

Details: 5A Flamed maple top, single-cut ash body, ebony fingerboard, 1 pc hard rock maple neck, bolt on, 34", 19mm spacing, 24 large frets, Fodera dual coils, MOP dot inlays, Fodera/Pope Standard 3 band - upgradeable to 4 band, Standard layout.

Details: Flame maple / painted Yin Yang top, alder body, ebony fingerboard, 1 pc hard rock maple neck, bolt on, 34", 19mm spacing, 24 large frets, Pearloid Yin Yang inlays, EMG P/J, Fodera/Pope Standard 3 band - upgradeable to 4 band, Standard layout.




I grew up in Singapore and studied electronic engineering hoping it will eventually lead me to R&D work. However the turning point came in 1996 when I decide to make music my passion and life, the double bass & electric bass took main stage amongst other instruments.
I hold a bachelors performance degree for Double Bass from the Yong Siew Toh Conservatory of Singapore. Performances, teaching and orchestra live sound engineering & recording takes up most of my time, and the rest is dedicated to luthiery work from repairs, restorations, bow rehairs and setup, to offering advise to bass players about pickups and amplifications.
I have attended the VSA Oberlin Bass Workshop in June 2012 and was surrounded by many bass makers and luthiers wanting to improve every aspects of the double bass world. David Gage, Arnold Schnitzer, Jim Ham and Rodney Mohr were amongst the many gifted teachers offering valuable real world experience and advice to everyone present. The exchange of information, ideas, and scientific research were often too much to remember we have to document them in pictures, drawings and notes.
The double bass is is still a relatively unknown instrument to most people here and often been described as a big cello, big violin, big guitar, and anything that is associated with the word big whenever I walk the streets. There has never been a dedicated bass specialist in Singapore and I hope to bring to awareness that this instrument is not as scary as it looks. I hope to see more bass players enjoying their instruments, regardless of what make their basses are or what genre of music they are playing.
God Bless!

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Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Donec quam felis, ultricies nec.

Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Donec quam felis, ultricies nec.
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